The Tale of Genji

the long version

"This will be the first major loan exhibition in North America to focus on the artistic tradition inspired by Japan's most celebrated work of literature, The Tale of Genji. Written by Murasaki Shikibu, a lady-in-waiting in the early eleventh-century imperial court, and often referred to as the world's first psychological novel, the tale recounts the amorous escapades of the "Shining Prince" Genji and introduces some of the most iconic female characters in the history of Japanese literature. Covering the period from the eleventh century to the present, the exhibition will feature more than 120 works, including paintings, calligraphy, silk robes, lacquer wedding set items, a palanquin for the shogun's bride, and popular art such as ukiyo-e prints and modern manga. Highlights include two National Treasures and several works recognized as Important Cultural Properties. For the first time ever outside Japan, rare works will be on view from Ishiyamadera Temple--where, according to legend, Shikibu started writing the tale." "With its vivid descriptions of imperial society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji--often referred to as the world's first novel--has captivated audiences around the globe and inspired artistic traditions for a thousand years. Scenes from the tale adorn lavish screens, robes, lacquer boxes, incense burners, games, and even palanquins for transporting young brides to their new homes. This handsomely designed and profusely illustrated book introduces the outstanding art associated with Genji, while exploring the tale's wide-ranging influence on Japanese culture, design, and aesthetics into the modern era from Ukiyo-e to manga. Through discussions of more than one hundred works, this groundbreaking publication illuminates the classic tale's place within the history of Japanese literature and calligraphy. While highlighting key episodes and characters, the volume also raises issues related to the tale's female authorship and readership as well as to its Buddhist reception."