Re-framing the theatrical
por
"Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundaries of categorization. She examines how these cross-art forms provoke a solo spectator-protagonist, and how the work becomes meditative and spiritual. In questioning the role of …
- ● 77% match for you
- ● art & photography, philosophy
the long version
"Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundaries of categorization. She examines how these cross-art forms provoke a solo spectator-protagonist, and how the work becomes meditative and spiritual. In questioning the role of the spectator and the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance."--BOOK JACKET.
Margaret's verdict
""Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundaries of categorization. She examines how these cross-art forms provoke a solo spectator-protagonist, and how the …"
highlights
what readers held onto
No highlights yet. Be the first.
discussion
what readers said
No reviews yet. Finish it; tell us what you found.