The Snow Goose

the long version

A tale of exquisite sentimentality and storytelling gains new appeal in Barrett’s magical hands. Gallico’s tale of the snow goose was first published in 1940, just after the Battle of Dunkirk, when thousands of British and French troops were rescued from the Germans by hundreds of small British boats. Philip Rhayader, a man crippled in body and spirit, lives alone in a lighthouse on the Essex coast, painting pictures and caring for the marsh birds. A wild young girl named Frith brings him an injured snow goose, somehow lost from Canada. He heals the goose, and the girl and bird return to him, warily but faithfully, season after season. Eventually Frith is grown, and feels stirrings of something else for the artist. Then it’s the spring of 1940, and Philip goes out across the water, the goose with him, to rescue those trapped soldiers on Dunkirk beach, seven at a time. Fritha knows he’s lost then and realizes what she has found, only to lose. Barrett approaches the story with a softness that matches the tone. The drawings are in graphite and pencil, with an occasional piece in color that lightens the mood. A lovely reworking for a whole new audience.