Reconstructing American Historical Cinema
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"By looking at production records, scripts, and contemporary reviews, J. E. Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious history. Her volume is a major reassessment of American historiography and cinematic historians from the advent …
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"By looking at production records, scripts, and contemporary reviews, J. E. Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious history. Her volume is a major reassessment of American historiography and cinematic historians from the advent of sound to the beginning of wartime film production in 1942.". "Hollywood's popular and often controversial cycle of historical films from 1931 to 1942 confronted issues as diverse as frontier racism and women's experiences in the nineteenth-century South, the decline of American society following the First World War, the rise of Al Capone, and the tragic history of Hollywood's silent era. Looking at rarely discussed archival material, Smyth focuses on classical Hollywood filmmakers' adaptation and scripting of traditional historical discourse and their critical revision of nineteenth- and twentieth-century American history."--BOOK JACKET.
Margaret's verdict
""By looking at production records, scripts, and contemporary reviews, J. E. Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious history. Her volume is a major …"
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