Dead End
por Thomas Ott
Dead End is Ott's second U.S. release, following hot on the heels of early 2002's Greetings from Hellville. Like Hellville, Dead End consists of Ott's trademark storytelling: wordless, stark, black-and-white scratchboard horror stories with twist endings, rendered beautifully with fish …
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the long version
Dead End is Ott's second U.S. release, following hot on the heels of early 2002's Greetings from Hellville. Like Hellville, Dead End consists of Ott's trademark storytelling: wordless, stark, black-and-white scratchboard horror stories with twist endings, rendered beautifully with fish eye perspectives that create a vertiginous anxiety. Parts Twilight Zone, O. Henry, and Kafka, Ott's work evokes a visual history of literary suspense and horror; it reads like Dante's Inferno done as an issue of T
Margaret's verdict
"Dead End is Ott's second U.S. release, following hot on the heels of early 2002's Greetings from Hellville. Like Hellville, Dead End consists of Ott's trademark storytelling: wordless, stark, black-and-white …"
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