Reflecting the audience

the long version

"Davis and Emeljanow thoroughly examine the composition of London's 1841-1880 theatre audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.". "In addition to assimilating an incredible amount of information efficiently, coherently, and entertainingly, the authors explode the myths created by such powerful contemporary commentators as Charles Dickens to show that Victorian theatre audiences were extremely diverse and that London audiences were far more mobile socially and physically than previous accounts have implied."--BOOK JACKET.