Cultural Intersections in Later Chinese Buddhism
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In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range …
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- ● art & photography, religion & spirituality
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In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period. Straying from well-trodden paths, the authors often transgress the boundaries of their own disciplines: historians address architecture; art historians look to politics; a specialist in literature treats poetry that offers gendered insights into Buddhist lives. The broad-based cultural orientation of this volume is predicated on the recognition that art and religion are not closed systems requiring only minimal cross-indexing with other social or aesthetic phenomena but constituent elements in interlocking networks of practice and belief. Contributors: Terese Tse Bartholomew, Patricia Berger, T. Griffith Foulk, Beata Grant, Kenneth Hammond, Amy McNair, Daniel B. Stevenson, Marsha Weidner
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"In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, …"
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