Archetypes and the Fourth Gospel

"This book explores the interaction of literature and theology by means of archetypal criticism with specific reference to certain characters in the Fourth Gospel. Northrop Frye's system of archetypal literary criticism (Anatomy of Criticism, 1957) consisting of the four mythoi or archetypes of romance, tragedy, irony and satire, and comedy offers a compelling summary of literature and forms the governing framework and means of exchange between literature and theology. This synchronic interaction is centered on Jesus, an innocent man acting on behalf of others, as romance; Pilate, unable or unwilling to act justly in an unwanted and unavoidable particular circumstance, as tragedy: Thomas and the Jews, variations on the theme of seeing and not seeing as irony; and Peter, who denies Christ and later recovers, as comedy. These characters function as points of exchange, each reaching their defining literary and theological climax during the crucifixion events. Within the Fourth Gospel's narrative, these characters also serve as imaginative points of contact and identification for the reader at which the reader's own faith response may be placed within the literary and theological milieu of the Fourth Gospel. Conceptually, Jesus and romance; Pilate and tragedy; Thomas, the Jews, and irony; and Peter and comedy may be characterized by representation, reduction, negation, and integration, respectively. The variable between these four mythoi and between these characters is the relationship between a belief or an ideal and experience or reality assumed by the work as a whole and/or assumed and displayed by each character."--Bloosbury Publishing Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature