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Capa de No One Took a Country from Me

a novel ·

No One Took a Country from Me

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“The poems repeatedly place the reader sensually into a setting—usually natural, sometimes social—filled with overtones; they compel the reader to be alert to the scene’s significance. These glimpses of a cathedral, these family gardens, these landscapes so naturally described, occur …

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the long version

“The poems repeatedly place the reader sensually into a setting—usually natural, sometimes social—filled with overtones; they compel the reader to be alert to the scene’s significance. These glimpses of a cathedral, these family gardens, these landscapes so naturally described, occur without effort in the poems, but are also haunted by a sense of still deeper meaning: something big, something very everyday, something alarming.” —Bill Holshouser, <em>Ararat</em>

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Margaret's verdict

"“The poems repeatedly place the reader sensually into a setting—usually natural, sometimes social—filled with overtones; they compel the reader to be alert to the scene’s significance. These glimpses of a …"

— Margaret

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