Hacia Tamayo

"Citing Pierre Francastel, Bayón makes a journey into Rufino Tamayo's vast body of work, selecting only those (little more than 70) he deems most appropriate to help identify and clearly distinguish the distinct visual elements that make Tamayo an innovator and a great artist. He starts as early as 1928 and ends around 1986. The book makes a visit to an imaginary museum of Tamayo's work"--Handbook of Latin American Studies, v. 58.