33
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". . . arranged with the wrenchingly careful displacement of a cubist painting . . . [33] leads women's writing away from the cash-in commercial perception of an Erica Jong. Honest as kitchen knives but wielded in some dark alley, …
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". . . arranged with the wrenchingly careful displacement of a cubist painting . . . [33] leads women's writing away from the cash-in commercial perception of an Erica Jong. Honest as kitchen knives but wielded in some dark alley, it shakes up the sensibilities and ends up shining." —Boston Globe
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"". . . arranged with the wrenchingly careful displacement of a cubist painting . . . [33] leads women's writing away from the cash-in commercial perception of an Erica Jong. …"
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