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Cover of Empty figure on an empty stage

a novel ·

Empty figure on an empty stage

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Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage.

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Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage.

M

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"Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage."

— Margaret

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