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Gelber?s second play, written expressly for the Living Theatre, takes as its subject the growing madness of an actor during a play rehearsal. The second act is written from the mad actor?s point of view.
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Gelber?s second play, written expressly for the Living Theatre, takes as its subject the growing madness of an actor during a play rehearsal. The second act is written from the mad actor?s point of view.
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"Gelber?s second play, written expressly for the Living Theatre, takes as its subject the growing madness of an actor during a play rehearsal. The second act is written from the …"
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